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李泊岩(b.1984),独立策展人。2006年毕业于天津美术学院中国画系。2012年创办非营利艺术机构再生空间计划。他曾担任2017年“三星堆戏剧节”公共展演单元策展人,2018年“第二届深圳当代戏剧双年展”公共空间表演单元策展人,2018年“第七届济南国际摄影双年展”实验展单元策展人,2020年“第二届武汉影像艺术博览会”主题展策展人。2019年入选台北关渡美术馆驻馆策展人。还曾入围2015年PSA青年策展人计划,以及2019年Hyundai Blue Prize等竞赛。

 

主要策划展览有:感官拜物教(LPS在地公园,广州,2022),融合-当代艺术中的传统II(四川美术学院美术馆,重庆,2021),一个人在荒岛听(北京民生现代美术馆,北京,2021),重度的情调(G+ Art Space,武夷山,2021),重塑观念(K11艺术村,武汉,2020),风暴山谷(無同空间,长沙,2020),告白(南京艺术学院美术馆,南京,2019),对方正在输入…(AC画廊,北京,2019),灼手的余温(户尔空间,北京,2019),承受屋(501序空间,重庆,2018),蛇形手臂(CIPA画廊,北京,2018),吻与电话(三三画廊,天津,2018),日落将至(泰康空间,北京,2017),贫穷剧场:抗拒消费时代的重造(白塔寺胡同美术馆,北京,2017),铁托的肖像(陌上实验,北京,2017),ISBN:9787214056061(吸尘器空间,北京,2016),三高(南京艺术学院美术馆,南京,2015)等。

 

 

[EN]    ­

Li Boyan (b.1984), independent curator. He graduated from Department of Traditional Chinese Painting, Tianjin Academy of Fine Art in 2006. In the year 2012 he founded the nonprofit art institute Space Regeneration Projects. He was the curator of the public exhibition unit of the Sanxingdui Drama Festival in 2017, the curator of the public space performance unit of the Shenzhen Contemporary Theatre Biennale and the Experimental Unite of The 7th Jinan International Biennial in 2018, the chief curator of Wuhan Photo Art Fair ( 2nd) in 2020 . In 2019, he was selected as the curator of the Kuandu Museum of Fine Art in Taipei. He has also been shortlisted for (PSA) Emerging Curators Project in 2015 and Hyundai Blue Prize in 2019.

 

Recent curated exhibitions include “Sensorial Fetishism” (Local Landscape Public Space, Guangzhou, 2022), “Confluence: Tradition in Contemporary Art II” (Art Museum of Sichuan Fine Art Institute, Sichuan, 2021), “Being in The void” (MINSHENG Art Museum, Beijing, 2021), “Symphony of Gravity & Harshness“ (G+ Art Space, Wuyishan, 2021), “Rebuild Conception” (chiK11 art space, Wuhan, 2020), “The Storm Valley” (Wooton Gallery, Changsha, 2020), “Talking To You” (Art Museum of Nanjing University of the Art, Nanjing, 2019), “TYPING...‌”(AC Gallery, Beijing, 2019), “The Glowing Warmth” (XC.Hua Gallery, Beijing, 2019), “Take it, embrace it” (501XU- Space, Chongqing, 2018),  “SNAKE ARMS” (CIPA Gallery, Beijing, 2018), “BAD NEW DAYS AHEAD”(TAIKANG Space, Beijing , 2017), “Deconstructing Buyology: remaking to resist in an age of consumption” (Baitasi Hutong Art Gallery, Beijing, 2017), “Portraits of Tito” (MoShang Experiment, Beijing, 2017), “ISBN:9787214056061”(Vacuum Gallery,Beijing, 2016), “Trio” (Art Museum of Nanjing University of the Art, Nanjing, 2015).


 

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